19/11/2012 Marco Demian Vitanza on Text, Theft, and Territories
WHAT IS A Capitalist dramaturgy / / / The Politics of THE UNKNOWN / / / BIRTH OF THE MULTI vaginal READER / / / TEXT AS TECHNOLOGY / / / Archeology MINE FIELDS AND NAKED NESS / / / TEXT AS A DETERRITORIALIZING DEVICE / / / ANTI-narrative / / / Berlusconi AND HIS YOUNG SLUTS / / / TROJAN HORSES OF RETHORICS / / / pedophilia, PIRATES AND PARENT HOOD / / / TEXT AND THE OTHER / / / GENERAL INTELLECT LOOKING FOR A BODY / / / bureaucratic VIOLENCE / / / ENDGAME AND END TIMES / / / BODIES, VOICES AND WHALES
Marco Demian Vitanza (b. 1983) is a Norwegian-Italian writer and performing artist. He debuted in 2011 with his novel, Urak. Most recently, Londinium (2012), written and performed by Vitanza, has premiered at the Black Box Teater in Oslo. Other works include production of Papirløse fortellinger (Paperless stories, 2011) and adaptation of Fuglane(Birds, 1957) by Tarjei Vesaas. Vitanza is also a substitute lecturer at the Academy of Theatre at the Oslo National Academy of the Arts and lives in Oslo.